https://www.orientlab.net/digital_museum/files/original/78212cc2ed14500e52754bcb2ebf6125.png dd0243468fa2a6f235fd94fc0ac1291b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Karkemish - 2026 Ankara exhibition 3D Model A resource requiring interaction from the user to be understood, executed, or experienced. Examples include forms on Web pages, applets, multimedia learning objects, chat services, or virtual reality environments. 3D Model <iframe width="100%" height="800" style="border:0px #ffffff none;" src="https://www.orientlab.net/digital_museum/seals+imp/YU_25_O_5/index.html"></iframe> Site Karkemish Area Area 26 Locus F.15017 Context Date Early Iron II Sealing Type Steatite or chlorite cylinder seal Context Type Younus Necropolis Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource YU.25.O.5 Description An account of the resource Cylinder seal found in the upper fill of a grave from the Hellenistic period (G.15015) in the Yunus necropolis. The grave, dug in a narrow and deep pit, had been robbed in antiquity of its rich contents (but a few of them remained, such as some golden leaves under the skull): rather than being a heirloom within the funerary assemblage, we think that this much earlier seal must have fallen into the robber’s pit as deriving from another robbed, nearby grave of the Iron age, as so many other examples prove that was the case in the cemetery area. The seal is quite exceptional both in its dimensions, and in its careful and detailed execution over two registers: above, the kneeling archer, with a dagger at the waist and wearing a kilt, aims at an ibex looking backwards and at a deer, while below a lion attacks a charging bull (both motifs closely recall the King’s Gate reliefs by the ruler Katuwa of the end of the 10th century BCE, Woolley and Barnett 1952: pls. B.57-60). A scorpion, a fish and a star are fillers (probably also charged with vague symbolic meanings) introduced to better give a tapestry effect to the whole scene. The seal shares several features (such as the notched borders) with other specimens from the area, which contributes to the definition of the main glyptic workshop active at the site (see above pp. xx-xx).